Forse spinto dall’esempio del suo maestro Giulio Aristide Sartorio, verso fine secolo si trasferisce in Inghilterra, probabilmente in via definitiva, e subisce l’influenza della pittura inglese contemporanea. 

1900-post 1912: Londra.

1910: St Ives, Cornovaglia.

1913: Folkstone.

Dickenson Colonel W.C., Hewlett Mrs

Church Parade, Hyde Park, Londra (1904)

20, Hereford Square, Londra (1905-1908)

Lyndon, St Ives, Cornovaglia (1910)

11, Avenue Studios, 76, Fulham Road, Londra (1912)

8, Ravenlea, Folkstone (1913)

Edimburgo (1904), Londra (1900, 1905, 1906, 1908, 1909, 1910, 1912, 1913)

A. Rollins Willard, History of Modern Italian Art, London, New York e Bombay 1898, pp. 79, 129.

A. Graves, Dictionary of Artists who have Exhibited Works in the Principal London Exhibitions from 1760 to 1893, Londra 1901 (ristampa Bath 1973), ad vocem.

A. Graves, The Royal Academy of Arts. A complete dictionary of contributors and their work from its foundation in 1769 to 1904, Londra 1905, vol. III (ristampa 1970), ad vocem.

H. Zimmern, Italy of the Italians, Londra, Bath, Melbourne e New York 1920.

J. Johnson (a.c.d.), The Royal Society of British Artists 1824-1893 and the New English Art Club 1888-1917, Woodbridge Suffolk 1975 (ristampa 1987), ad vocem.

Dizionario degli artisti, in “Pittori & pittura dell’Ottocento italiano”, Novara 1997-1999, ad vocem.

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